Pears

FullSizeRender (1)

(acrylic on canvas)

Colors bloom from separate spectrums and transform reason into vision — the coming into being of weight, length, volume, shadow on a blank stretch of fabric that was once the nothing of an egg-shell wall. Time swims the slow, delicate and strong strokes, the subtle brushes which build the tincture of texture. You level your intention like you do words which are drawn to the surface carefully, impulsively, from a place of incantations, a well of spells. You look long enough, and the light gathers and settles like mood on the skin of fruit; the exact shade reveals itself and casts a mantle of atmosphere in your brain. I love that promise of all art — distilling a feeling separate from reality, a different and subterranean life, the converging of the outer and inner worlds whose borders and wildlands we so precariously roam.

– May 2017

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Officially a Quarter of a Century

I love my birthday’s Poem-of-the-Day and would like to share:

The Descent of Man
by Vijay Seshadri

My failure to evolve has been causing me a lot of grief lately.
I can’t walk on my knuckles through the acres of shattered glass in the streets.
I get lost in the arcades. My feet stink at the soirees.
The hills have been bulldozed from whence cameth my help.
The halfway houses where I met my kind dreaming of flickering lights in the woods
are shuttered I don’t know why.
“Try,” say the good people who bring me my food,
“to make your secret anguish your secret weapon.
Otherwise, your immortality will be
an exhibit in a vitrine at the local museum, a picture in a book.”
But I can’t get the hang of it. The heavy instructions fall from my hands.
It takes so long for the human to become a human!
He affrights civilizations with his cry. At his approach,
the mountains retreat. A great wind crashes the garden party.
Manipulate singly neither his consummation nor his despair
but the two together like curettes
and peel back the pitch-black integuments
to discover the penciled-in figure on the painted-over mural of time,
sitting on the sketch of a boulder below
his aching sunrise, his moody, disappointed sunset.


July 4th and Bad Poetry, etc.

My 39th attempt to get a good shot of the fireworks...with the flag of Morocco in the background.

Got my fill of a traditional American 4th of July, Philly-style with a delicious barbecue, courtesy of my cousin, and a surprise appearance by Boyz II Men on the parkway, who performed their all-time classics.

I hadn’t seen the fireworks there in years, so it was nice getting to see them once again. My favorite kinds are the ones that flower from the deep into ginormous dandelions and that disappear as pinpoints of blue or red fireflies.  Every time I see those I get the same reaction in my stomach as I did when I was a toddler, perched on my dad’s shoulders in the lot across our apartment to watch the fireworks. It always felt like they were coming at me from the darkness.  I used to flinch, even though I admired them.

Speaking of younger days, I found a poem that I wrote when I was about 13 or 14 that surprisingly won the Walt Whitman young poets’ award. I never gave it a name, so on the certificate it says, “1st place for ‘Untitled.'”  In retrospect I really should’ve been less lazy and just named it, at least a straighforward name like “Fireworks:”

fireworks
over the lake
red       and      green
and
purple
shooting
stars
flowering into
cinderella’s ball gown –
shimmering connect-the-dots
and vibrant  e x p l o s i o n s
held her terrified
enraptured on a
father’s shoulder

oh for the world to be as
endless
as this night in the old
parking lot
as jubilant as
these multihued   s t a r s
as safe as these strong shoulders

to be forever young
with a mind devouring beauty
and
possibility with
insatiable hunger
to be   her   once again
this tiny 5-year-old who saw
colors and wept from joy
and wondered at
the       miracles    of the sky
who knew nothing but to be
in awe    to be
safe        to be
Loved.

Get a load of those line breaks!  I guess what was Cinderella’s ball gown then is a “ginormous dandelion” now. Metaphors are just like people, they change and become a bit more jaded. You can also totally tell I was going through my vampire phase with the line that goes “to be forever young…with insatiable hunger.” I guess it could be Walt Whitman-esque, with its ramblingness, patriotism, and profuse use of adjectives. Other than that, I’m glad my poetry has somewhat improved since then.